Skip to main content

Who do I need revealed: a proofreader or a copy-editor?




While putting together an Introduction to Proofreading workshop for a client, a few questions came up that I wanted to share.

What’s the difference between copy-editing and proofreading?

There’s a huge difference, so make sure you know before you commission any work!
Think of proofreading as the absolute final stage of the publishing process, after the author, editor and designer have done their jobs – a fresh pair of eyes to spot any mistakes others might have missed.

A proofreader generally checks to ensure that:
  •  Text matches the original
  • Page numbers and headings are correct
  • Spelling and other aspects, such as use of capital letters, are consistent
  • Chapter headings match the contents table
  •  Photos and illustrations are correctly captioned.

If you require copy, images or layout to be checked for house style, you need copy-editing. A copy-editor will ensure that all text is in line with the publisher or organisation’s house style and that any facts are checked and queried with the author, looking out for potential legal issues along the way. Seldom expected to rewrite work completely, they aim to maintain the style of the author and publication.

A copy-editor makes sure that:
  • Text is well written and logically structured
  • Correct grammar and spelling
  • Text is in line with the publisher's house style
  • Facts are correct and raise any queries with the author
  • Any potential legal problems are discussed with the publisher
  •  Illustrations and captions are correct.

How can I keep proofreading costs down?

To keep costs down for my clients I always request I’m given a sample of the copy to be proofread. Then I’m able to see what stage it’s at: final proofs for the printer or earlier, then give an estimate of the time it will take. To keep costs as low as possible, I always suggest sign off of copy content and design by all parties before the proofreading process starts. It’s inevitable changes will be made somewhere along the line but it helps the proofreader tremendously if the client can get as close to the final version as possible.

Any tips for working with a proofreader?

  • ·      At first stage proofing, provide A3 colour proofs for clarity
  • ·      Email the latest version by PDF – this helps the proofreader to check for consistency in spelling and house style
  • ·      Provide a style guide
  • ·      Always notify proofreader of any changes that are made to copy, layout or images
  • ·      Flag up any concerns you have with the copy
  • ·      Have regular contact to ensure any queries are addressed.






Comments

Popular posts from this blog

Yaly Couture

15th March 2005 HOI AN Staying at Ancient House Resort on Cua Dia, a small boutique hotel with spacious, immaculate and stylish rooms. Can imagine that this would be a good place for honeymooners, as the service is discreet and the gardens and pool are beautiful. Got an upgrade on the second day to a room with a balcony so I can now sit outside and write, which is a marked improvement. I get free bike rental here so I’ve been out exploring. Riding a bike after so long and in Asia was a thrilling experience. Make me think how much quicker I could get about and see so much more. Today I cycled off the beaten track for a good 2 hours until I came to a boatyard where I pulled up for a refreshing drink. Don’t think these people see many white faces round here. I was drinking alone then suddenly there were about 15 faces staring at me. Curiosity got the better of one old man who hopped on his moped and escorted me down the road! I noticed that even this far out, huge speakers blast out propa...

Our Daily Bread and Workingman's Death

News from a few film buff friends of mine in Australia of two good documentaries viewed at Melbourne Film Festival. Our Daily Bread is a film that enters the lurid world of industrial food production and high-tech farming. Not for the faint-hearted apparently, as about a third of the audience walked out. Bound to send ripples through the industry once it gets released at the London Film Festival this September. View Our Daily Bread website here Workingman's Death explores heavy manual labour in the 21st century - down illegal mines in the Ukraine, among the sulfur workers in Indonesia, with lions at a slaughterhouse in Nigeria, ship breaking yards in Pakistan, and Chinese steel workers. Looks like amazing cinematography. View Workingman's Death website here

Eating the heart out of Valentine’s Day

I didn’t think the highlight of Valentine’s Day would be eating a heart but today was set to confound my expectations in many ways. On arrival at Fareshare’s headquarters in east London we were ushered into the warehouse for drinks and canapes, where it was ubundantly clear by the stacks of unwanted foods and industrial fridges surrounding us that eco-chef Tom Hunt would be spoilt for choice of ingredients. Amongst the crates I spotted supermarket own brand goods from Tesco Value pasta to Sainsburys Taste the Difference Olive Oil Crostini, brand name goods including Nestle and Green Giant, and independent producers such as Propercorn gourmet popcorn. As I surreptiously checked out the clientele, we were served a warming aperitif of mulled cider with star anise and delicious canapés of confit rabbit offal, cod-head cakes and pork liver pate with onion marmalade. While there were certainly lots of couples out for an alternative take on the Valentine’s meal, groups of friends were also t...